Eros Chapter 9
A hearty welcome to you here in our 'little' community of Parhelion and I see that you are again standing at the entrance to that particular part of this great city which is devoted to the higher forms of art which are so relative to your earth plane. I am speaking, of course, in continuance of the previous transmission which was given to you by Kung Fu, one of my worthy compatriots here in this particular section. I will introduce myself first as I was quite well known on your earth planet several hundred years ago and I believe I left a few little bits of writings around which you occasionally remember. I have been known as William Shakespeare. Let us not dawdle on the outside but come right on in. I know that you never cease to be amazed at the display of electronic pyro-techniques which you see about you each time you arrive. May I say that I have been here for hundreds of years and I still am thrilled at the continual recurrence of these displays of energies. To your earth people, your nearest thing which I could describe would be something like the Aurora Borealis or the Northern Lights which plays about the North Pole.
In the previous transmission, Kung Fu led you about to the various sections and a rather sketchy tour was instituted. I believe here that it will be to our advantage if we go into several of these centers and to more thoroughly examine just what it is that we call class rooms or various other centers of learning. We have continually tried to impress you with the tremendous size of these various centers which are divided in this great city, and this section of Muse, as you would call it, is no exception. Let us go first into this room which I have a particular affinity for as it is more relevant to that type of literature and the expression of the art known as drama on the earth plane. We will pass through this large doorway and enter into what has been previously called a room. As you will see, the word 'room' was used merely for lack of something more adequate. Looking above you first, the ceiling, if we can call it such, is something more than a hundred feet above you and that it does not possess the appearance of a ceiling in the commonly accepted word, rather it is a pulsating, throbbing conglomeration of brilliantly hued flowing colors which seem to stream back and forth in the immediate space above you so that you are not actually seeing any particular solid substance but rather, the living, breathing, pulsating energies which you have become somewhat familiar with. Lowering your gaze down into the level about you, you will see also that the whole appearance of things before you takes on a very sylvan appearance. In other words, it looks like a tremendous flower garden or a horticulturist's dream.
Let us walk slowly down one of these pathways because a little further along I have something very wonderful to show you. As we pass by these many different types of flora and fauna, the beautiful trees, shrubs, plants and flowers, all growing in luxuriant profusion which defies description, you will think this is indeed a strange classroom and so it is. Occasionally, as we walk along through this pathway, we see benches or settees which are set back away from the path, something like- they would be in your earth parks. Here it is that the students or instructors may pause momentarily for a moment's inspiration in whatever particular thing they are desirous of interpreting. As we will walk along this pathway, I would like to explain to you that many of the personages whom you will see from time to time, or that maybe noted in these works, and as they all are more or less, shall I call them, advanced souls, you may be interested to know that they appeared on your earth plane from time to time in the natural sequence or order, as you call reincarnation. You might say that Archimedes reappeared later on in your earth plane as Albert Einstein or that you might say that many of the other old Grecian or pre-Grecian philosophers, even those who were of Egypt and China, have since reappeared from time to time in your earth plane.
Nor are they limited here. They could likewise appear and have appeared in other planes which are somewhat relative to your own earth existence. Although I have not appeared on your earth plane since I passed from there in my last reincarnation, I intend to reappear there shortly, within the next hundred years or so, as it will then be for many of us to help and assist in working out something of what you call your Aquarian Age.
Now that we have approached closer to the center, you will see that this vast parkway about you is becoming more open and there is not the seeming abundance or profusion of the plant life. Instead, you will see open spaces which are carpeted with a deep moss-like substance which seems to gleam and sparkle with all of the colors of the rainbow. But at last we are here - We are standing now and I see that you are gasping with amazement, for before you is rather a large bowl-shaped depression which is possibly something like two or three miles in diameter. Around and about this bowl are scattered innumerable small trees and shrubbery, moss-covered stones, settees and various other things which may be associated with the idea or thought of repose or a reclining position. Down near the center of the great bowl is a small circular lake which is filled with the same liquid crystal energies which you first saw tumbling on the rocks on the mountain on your first visit. In the center of this small lake is a huge flattop stone of some glittering and glowing crystal substance from the center of which springs a beautiful cascading fountain. On your earth, you have something I believe now which you call the dancing waters. As you will notice, the fountain which plays from this huge stone is of that nature and it cascades up and down and seems to dance in a variety of incandescent colors. You will also see about you stretched on the sides of the bowl like depression innumerable personages who are my fellow students and who are also those who from time to time take over in a small way, with the idea of instructing. I have brought you here purposely at this time as there is to be, shall I say, a lecture given by one of the higher personages who is to come here today and deliver something of a lecture or a talk on some of the higher sciences in the composition of word-form languages which are used in the various earth planes. I would not give you this man's name as the name would mean nothing to you, as he has not appeared on your earth plane for several thousand years. He comes from another plane which deals primarily, or is relative to another group of physical earth planes in another part of the universe.
However, let us sit down here on this mossy bank and recline and await for the proper time while appreciating something of the beauties of the scene before you. Now you will see that the beautiful cascading radiant fountain in the middle of the lake ,is slowly diminishing and finally dies away completely. There is now a strange hushed silence where a few moments before was the sing-song of the energies as they played from the fountain. Now this, too, has ceased. Suddenly there appears on the surface of the stone where the energies had just been playing a particularly beautiful form of something which looks like a large elongated flame. You are wondering whether this is a person. Yes, indeed, it is a person but one who you cannot see in a true dimension or form or size. This man is appearing here as he comes from one of the higher dimensions in which the more relative earth-plane expressions of form or dimension do not exist. In other words, he has long since ceased to need the use of arms or legs. Neither does he use eyes or vocal cords or any other of the physical appurtenances which are familiar to your physical body. Instead, he is a pure expression of an individualized form of divine energy as it comes from the Fountainhead. As you can easily see, he is much further advanced than we are here. In fact, he may, in a sense of the word, be further along the pathway than some of our more advanced leaders who are leading this particular portion of Shamballa.
Now you will see that this wonderful, beautiful glowing flame is something about ten feet in height, if I can use your familiar earth plane equations of measurements. As I said before, he presents no physical appearance as you would define a physical appearance, but you are immediately impressed in your mind with some sort of a tremendous intelligence, a very strong feeling of force which you have heretofore been somewhat cognizant of but have not yet fully appreciated. Here in this case with this personage he is, as e is so tremendously advanced, able to dissipate a tremendous amount of the radiant energies which are permeating your mind. This is the lecture. To you it means nothing but to the mental eyes and ears of those about you it means a vast deal more. It is sort of a catalytic agent or an energy which permeates their minds and which helps to shape up the various wave forms and vortexes which will go into making up what you call their intelligence. Later on as they evolve around in these various centers and to the point where they can visualize some sort of the science or the philosophy or any of the arts which they are in affinity to, they will wish to reincarnate onto some physical plane and thus become a teacher or an exponent of that particular expression they have learned here. The personage who you see before you on the huge center portion of the stone in the lake is projecting these energies into the minds of the thousands of students and teachers who are sitting about the bowl-like depression which stretches away from this little lake.
As you watch the personage as he stands there, the flame is not stationary but seems to move and throb and pulsate or oscillate in a continual succession of peculiar wave forms. There seems to be also, around the apex or the top part of the particular wave something which changes color in a rapid succession of frequencies. These colors run the gamut of all the known shades of the rainbow and a few hundred are added to this. These are actually, in an advanced form, the word forms which are propagated or projected into the minds of the students who are listening to this lecture. This lecture will go on possibly for something like fifteen or twenty minutes in your earth-plane time dimension. However, this is a very irrelevant factor and means little or nothing as time assumes an entirely different characteristic here on Parhelion. Actually what may appear to be fifteen or twenty minutes to you on your earth plane could be a year or ten years here, as the difference is not in the time but in the amount of such things as are being done. The measurement of time means little or nothing here in the city of Parhelion. In other words we do not measure things in time, so that time becomes something which is not a necessity whereby we measure our lives but becomes more the quotient whereby we learn of the various things and do the various duties for what we have devoted our lives and our intelligence. But I see that there has been somewhat of a breakdown in our transmission and until we establish a more complete contact, let us discontinue here for a moment and pass into one of the other of the large rooms as by now the Master, as we will call him, has finished his particular lecture which he came here to do and has disappeared. In his place, the waters are again playing in the iridescent fashion upon the large stone in the center of the lake.
Come now let us walk back up this pathway which is a shortcut back into another one of the more scientific centers. You will no doubt wonder as to how many of the musicians, the artists, poets and so on who have appeared on your earth plane which numbers many hundreds have learned of their particular art or science as they have expressed it. Many of these have been outstanding and before their time. There are very definite reasons why these things exist. We are pointing out to you that they must learn of these arts and sciences before they reincarnate into an earth plane. These, in turn, from these centers are in consequence learned from the higher Masters or Lords who come to us from even the higher planes above our particular planes of existence as they are expressed in these centers. So in the natural sequence or evolution of knowledge or wisdom, this is again a working out or manifestation of the Supreme Intelligence or radiating power which permeates from the Central Vortex.
Now we have arrived in this large particular portion which I will call a laboratory. You are immediately impressed, as I see, with a vast array of very weird and strange- looking apparatus which stretches out before you. Here again is a very large center which is devoted exclusively to the science of, as I shall call it, vibration or vibronics. Here students from all spiritual concepts in the various sciences are intermingled regardless of their particular expression, who are learning the more fundamental scientific concepts which go into the makeup of their own expression. Such as it is, though it is poetry or drama, there is a natural conclusive sequence of word forms which, in their proper usage, will start a series of wave train formations which is called sound. The sound, in impressing its intelligence in the various nerve centers of the brain of the human who is on the earth plane will immediately correlate such vibration with previous experiences or with such happenings of his life and thus he will be impressed with such emotional experiences as will tend to relax or bring him into closer contact and harmony with the more vital and natural forces which are permeating his being. Thus he can undergo a tremendous emotional experience while witnessing an act or a play on the stage or that an orchestra can render a very beautiful rendition of some great masterpiece and he will be equally emotionally impressed. In all cases, however, the fundamental science of vibronics which lies behind these things have to be thoroughly learned and impinged into the psychic consciousness of the composer or whoever brought this particular thing into expression. You simply do not take a lot of words and lump them together or a lot of notes and spread them about on paper and expect to get good results. That is not so. So here we will see hundreds, yes thousands of students who are learning the proper composition of tone forms or word pictures in their various constituents as wave train energies which have a very definite relationship not only to the nerve centers of the human but also to some of the physical centers of the body which are also actually a mass of nerve centers.
As we are walking about your mind is continually impressed by what you might think are a strange conglomeration of bongs, pings, twangs and various other peculiar sounding notes which seem to come into your consciousness. You are also impressed by some other things which you have not yet learned to distinguish. Actually, these are word-form pictures and not expressed in the term of suggestive vowels and consonants of your language as it is used on the earth plane, but they are actual energies which have been projected into your consciousness from such sources, and these particular wave form trains are impressing a certain sequence of intelligence in your mind. In other words, it is merely another form of mental telepathy. In this case, the telepathic communion has as its source one or more of these various weird-looking electronic apparatuses which you see about you which the students are using to produce these various wave-train energies, so that by now you will begin to understand that it is not necessary to use the expressions of the vocal cords in resonating some kind of an intelligent thought pattern through the mentality of the individual. You will see here also what appears to be some of the more familiar earth plane instruments which are used in the orchestra, such as the trumpets, and violins, the cellos, the woodwinds and the various other types of brasses and stringed instruments, yes, even the harps. Students here are also learning the usages and as to the proper production of certain wave train energies for which these instruments were primarily designed.
In passing over into this other section, you will be made aware that here are a number of instruments which are used in orchestras which are not of your earth plane but are in another plane of existence. You would be at a loss for words to describe these instruments, nor could we take the time in this transmission to do so. However, in each case of some physical or material plane, something similar to your earth, you will again find that in the existence of the race of mankind as it lives on that particular planet, all will express in their own way their innermost feelings through the various kinds of instruments which you will see about you. In your jungles the savages are using the more primitive types of percussion instruments which are merely bones or drums, the bones or pieces of wood which are stretched across logs in a marimba-like fashion. And so starting with these more rudimentary forms of musical instruments, we can go on up and up into the tremendously advanced forms of instruments which are more purely electronic in nature. Some of these use the principles of reproduction of crystals. Others use the pure sine wave formations of electronic energy which are somewhat similar to the electronic organs of your earth plane .
Before I go too far in my transmission here today, the name William Shakespeare will no doubt conjure up one of the problems which has long confronted some of your fellow beings on the earth as to whether or not I was once called Bacon or some other particular name. I will not attempt to clear up this mystery and say yes or no at this time, but I will just say that in my day and age at Stratford on Avon, at that time it was very wise and very discreet for the person who wished to express himself in a rather unorthodox fashion, to do so under an assumed name. This would help insure his safety. There were other things besides wood which were used for fuel for fires in those days. In my time on your earth plane, it was not only unlawful and illegal to think differently than those above you, but it was also something which could be extremely painful and very often resulted in death.
Now I believe it will be a very good place for us to discontinue this particular transmission at this time. I cannot say at this time whether I or one of my other colleagues here will take over in the next transmission. However, we will try to make things as interesting as possible as you no doubt know by now that this whole idea of the Shamballa is devoted to the educational and scientific researches and expressions of corrective therapies and such other associated factors in the lives of the earth plane man. It is also associated with teaching and with the proper interpolation of wisdom and know ledge into some of the more numerous astral worlds which are in somewhat of a lower rate of vibration than this particular center. In the near future, we shall take you to the astral world of Muse where you will actually see how many of these souls or personages who have lived on your earth at different times are living and mingling with the personages from other worlds who have also lived in their own time in the physical body. This is something of what has been called devachan or the summerland or heaven. It merely means a place of resting, reestablishing certain values or the working out of certain particular types of spiritual karma before the proper place or step which will carry the individual soul into his next stage of evolution.
Not all of us come here to Parhelion as teachers or even as students. Many stop in these lower astral worlds and after some hundreds or even several thousands of years may again reincarnate from there into a lower physical plane. However, in due course of time, these points will be enlarged upon and explained to you if you have the patience and the time to write these things down. As it has been foretold, you will indeed possess much more know ledge and wisdom of these things than has previously ever been given to the earth plane and this is for the very important reason that the earth plane, as it is now known to you peoples about you, is going into a new state of evolution. It shall, as a planet and to the inhabitants, who live upon that planet, evolve into a higher state of evolution and consciousness. The rocks, the earth, the trees, the animals, yes even the people who you see about you now will gradually through the centuries of time evolve into a higher dimension. Such as it is in the scheme of creation as it was conceived by the Infinite Intellect so all of these things must progress forward, even though they may be ever so slowly in your sense of time, yet surely they do so for this is the Infinite Plan. Until such further time, may God's peace be with you.